Byentaro Ceramics is a Ugandan studio that brings together tradition, artistry and community impact. Founded by Moses Byentaro, whose journey into ceramics began at his grandmother’s side in rural Ibanda, the studio practices the craft of pottery and creates new opportunities for local makers.
Moses established his workshop in 2016, now home to a growing team of artisans, each contributing to a distinctive and refined aesthetic marked by monochrome finishes and sculptural forms.
Byentaro Ceramics is a Ugandan studio that brings together tradition, artistry and community impact. Founded by Moses Byentaro, whose journey into ceramics began at his grandmother’s side in rural Ibanda, the studio practices the craft of pottery and creates new opportunities for local makers.
Moses established his workshop in 2016, now home to a growing team of artisans, each contributing to a distinctive and refined aesthetic marked by monochrome finishes and sculptural forms.
Every piece from Byentaro Ceramics is shaped by many hands and a deep connection to the local land and traditions.
The raw clay is collected from the village, and then refined by hand. It’s soaked in recycled rainwater, sieved and kneaded to remove impurities, and then worked into form using coiling, pinching, slab, and wheel-throwing techniques.
Natural earth pigments in tones of black, white, orange and blue are painted freehand before firing. A unique two-stage firing process, including an open wood-fired finish, results in rich, smoky surfaces.
Once fired, items are burnished smooth with stones; a patient process often carried out by women in the studio.
No two items are ever the same.
Every piece from Byentaro Ceramics is shaped by many hands and a deep connection to the local land and traditions.
The raw clay is collected from the village, and then refined by hand. It’s soaked in recycled rainwater, sieved and kneaded to remove impurities, and then worked into form using coiling, pinching, slab, and wheel-throwing techniques.
Natural earth pigments in tones of black, white, orange and blue are painted freehand before firing. A unique two-stage firing process, including an open wood-fired finish, results in rich, smoky surfaces.
Once fired, items are burnished smooth with stones; a patient process often carried out by women in the studio.
No two items are ever the same.