Each of these cushions is made from the same pre-loved saris and fabric remnants as our Kantha Quilts, hand-stitched by a womens network in Bansberia, West Bengal using the traditional Kantha technique. Turn it inside out and you'll find a different print entirely - the cushion is reversible.
Filled with our signature Irish wool insert, made in collaboration with Dooleys of Tipperary. Available in limited quantities.
Every throw begins as something else — pre-loved saris and fabric remnants given new form, new purpose, and new life.
Made by hand, from materials that already exist. No new fibres, no industrial process.
Made by a network of fifteen women working from their homes and shared community spaces in Bansberia, West Bengal.
Every maker is paid above the government minimum wage, with access to savings schemes, insurance, and paid leave as standard.
Each piece carries the Kantha tradition — a centuries-old Bengali stitch technique passed between generations of women, kept alive through practice.
Delicate machine wash at 30°. Medium iron. Do not bleach. Do not dry clean. As with all vintage and reclaimed textiles, gentle handling will help preserve the cloth and extend its life.
If something isn't quite right, you can return unused and undamaged items within 30 days of receipt. Please note that return shipping costs are the responsibility of the customer.
To start a return, simply reach out to us at info@tomorrows.store with your order details. Once we receive the returned item, we'll process your refund to the original payment method within 14 days.
Shipping will be automatically calculated according to your location in the cart. More information on shipping can be found here: https://tomorrows.store/pages/shipping
The Shop has been a family-run business since 1969, rooted in the awakening of traditional Indian craft and a deep reverence for the handmade. Guided by indigenous textiles and a contemporary sensibility, they create products that are bright, considered, and full of story.
Their approach to upcycling is woven into everything they do — transforming fabric waste and remnant prints into new life, finding beauty in what might otherwise be lost, and treading gently on the earth in the process.
Tomorrows and The Shop share a belief that good design and conscious making are inseparable — this ongoing collaboration brings together two studios united by craft, circularity, and a quiet commitment to doing things differently.
The Shop has been a family-run business since 1969, rooted in the awakening of traditional Indian craft and a deep reverence for the handmade. Guided by indigenous textiles and a contemporary sensibility, they create products that are bright, considered, and full of story.
Their approach to upcycling is woven into everything they do — transforming fabric waste and remnant prints into new life, finding beauty in what might otherwise be lost, and treading gently on the earth in the process.
Tomorrows and The Shop share a belief that good design and conscious making are inseparable — this ongoing collaboration brings together two studios united by craft, circularity, and a quiet commitment to doing things differently.
Kantha is an ancient embroidery tradition originating in rural Bengal (present-day Bangladesh and West Bengal, India). A running stitch, deceptively simple, worked in parallel lines across layered cloth to bind and quilt. It is a way of giving new purpose to worn saris, stitching them into something whole again.
The stitch itself creates a gentle ripple across the surface, both structural and expressive. Each throw carries this lineage — slow, meditative work that transforms discarded fabric into something that will last for decades.
Kantha is an ancient embroidery tradition originating in rural Bengal (present-day Bangladesh and West Bengal, India). A running stitch, deceptively simple, worked in parallel lines across layered cloth to bind and quilt. It is a way of giving new purpose to worn saris, stitching them into something whole again.
The stitch itself creates a gentle ripple across the surface, both structural and expressive. Each throw carries this lineage — slow, meditative work that transforms discarded fabric into something that will last for decades.
